Love In The Time Of Fentanyl

from Instagram

As deaths in Vancouver, Canada, reach an all-time high, the Overdose Prevention Society—a renegade supervised drug consumption site that employs active and former drug users—opens its doors. This intimate documentary looks beyond the stigma of drug use to show how the organization’s staff and volunteers do whatever it takes to save lives while giving hope to a marginalized community.”Join us for our next screening on Sunday, June 18th, where we’ll be watching Love in the Time of Fentanyl. We’ll be at @makingworldsbooks on 210 S 45th St.Naloxone training at 6, movie at 7, followed by a discussion. Suggested donation $10-20, proceeds go to @the_sol_stories and @south.philly.punkswithlunch

🎥 Machines in Flames (2022)

from Iffy Books

May 27 @ 8:00 pm10:00 pm

Promo image for the film "Machines in Flames," a film by Thomas Dekeyser & Andrew Culp, with a photo of an office building at night and the tagline "following the footsteps of a clandestine group of French computer workers from the 1980s...." Text at the top left reads, "Sat, May 27th at 8 p.m. / Iffy Books / 319 N. 11th St. #2I, PHL"

On Saturday, 5/27 we’re screening the film Machines in Flames at 8 p.m., followed by a virtual Q&A with the filmmakers.

Machines in Flames (2022, 50min) finds a secret history of destruction by following the footsteps of a clandestine group of French computer workers from the 1980s.

In 1980s Toulouse, an elusive group began bombing computer companies. ‘CLODO’ disappeared after three years, without ever being caught or ever to be heard of again. Two film makers launch an investigation into CLODO, looking for answers, motivations and identities, but are soon frustrated by a collective that struck in the dead of night, leaving in their tracks only ashes and the sporadic line of cryptic graffiti. The film combines archival traces, a viral desktop choreography, and late-night video recordings of CLODO’s targets into a meditation on computation, destruction, and the lure of archives.

Presented by the South Philly Autonomous Cinema Association.